Sculpting With Color

Sculpting With Color

Adult Course | This program is completed

200 Grant Street Denver, CO 80203 United States

206

All

10/17/2019-11/21/2019

1:00 PM-4:00 PM MDT on Th

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$234.00

$198.90

This is an unusual approach to painting in that it’s more akin to sculpting with colored shapes in order to capture the effects of form, light and atmosphere. You will learn how to hone color perception and notice the “umbrella of light” (Monet's term) that everything sits in. You will learn a way of using your eyes that allows this perception to develop, as well as a way of applying paint or pastel to find these colors in your pigments. Using simple still-life set ups, you will learn a new language based in real-world sensations of color that give you a broader facility in the style of painting suits you.

  • -oils or pastels recommend, slow drying acrylics and water colors are fine, regular acrylics work but are a bit more difficult
  • -for oils, painting knife, with blade about 2 ½ inches long, about ¼ inch wide where attached to handle, tapering to a point or curved tip
  • -palette
  • -paper towels
  • -canvas, paper or board 12""x16""; sanded paper recommended for pastels
  • -recommended colors: cadmium yellow, cadmium yellow pale, cadmium lemon, dioxizine purple, manganese blue, ultramarine blue, emerald green, yellow ochre, titanium white (large tube), cadmium orange, cadmium red, permanent rose, magenta, cobalt blue, viridian, indian yellow, mars violet
Ceraso, Chuck

Chuck Ceraso's lineage traces back to the French and American Impressionists through his teacher, Henry Hensche. Hensche was the student and protégé of Charles Hawthorne. Hawthorne, after painting with William Merritt Chase and Claude Monet, started the first art school, in 1900, devoted to the color discoveries of the Impressionists. When Hawthorne died in 1930, he left the school and teaching to Hensche who continued and further developed the teaching until his death in 1992. One of several people around the country who continues to teach this approach to color seeing, Ceraso teaches to sold out classes at the Denver Art Museum and at his studio in Lafayette, Colorado. He has authored the book, The Art of Color Seeing, which is his description of the process Hensche introduced him to as well as his own insights into painting. "After 40 years of painting, I'm more awed and inspired than ever at the challenge of painting. I've learned that to really see I have to let go of all of my ideas about what I'm looking at. A full presence of awareness is required for this seeing without thought, without ideas. This presence then seems to facilitate a more spontaneous process of painting, one unencumbered by a plan for a specific outcome. The painting has a life of its own and goes where the process itself takes it. In this, painting has become more an experience of revelation than as something I make happen" www.cerasogallery.com