Deconstructing the Figure:  Live Pose to Pure Abstraction - June/July

Deconstructing the Figure: Live Pose to Pure Abstraction - June/July

Adult Course | Available

200 Grant Street Denver, CO 80203 United States

108

All

6/5/2024-7/10/2024

6:00 PM-9:00 PM MDT on Wed

$387.00

$328.95

Develop your sense of creative freedom, intuitive improvisation and discovery as we explore using the live model as source material for expressionistic and abstract painting. Using mixed media, collage, printing, stenciling and paint application students will learn how to deconstruct and manipulate the human figure, incorporating innovative methodologies into fully developed, revelatory paintings. This course is open to all levels, no figure drawing or painting experience necessary.

  • -Suggested supplies & materials need for this class include: * More detailed information regarding supplies & materials will be covered during class, however, students will need at least some of these materials for their first class; students may also inquire directly with instructor with any questions prior to starting the course; email: jeffwenzelart@gmail.com -Paper - of the sort that is affordable enough that you can use several sheets per class, i.e.; butcher paper or construction paper - Size: 20. x 30 in. or bigger; 5 + sheets of medium to heavy weight paper is recommended as well. -Hard surface substrate, (i.e.; wood panels) ±minimum 2 of varying dimensions (not necessary for first class; will be discussed during class). -Various drawing & mark-making materials ±graphite sticks, oil pastels, hard charcoal, crayons, ink / ink markers, heavy pencils. -Paint - water base media is recommended, i.e.; tempera or poster paint, house paint, acrylics, colors of your choice. (use of oil paints should be discussed with instructor). -Adhesive - Elmer's glue or similar water base adhesive - minimum 1qt. Plastic scrapers - 3, size 2 inches or bigger. -Brushes - along with regular art brushes also bring 2 to 4 brushes of sizes 2-4 inches (can be inexpensive $.99 short wood-handled brushes from hardware store). -Scissors, utility knife, masking tape, rags, sponge. -Plastic containers - several for water, for soaking dirty brushes, for paints, glue, etc

MA, MFA, University of California, Berkeley Working with students in both painting/drawing and ceramic media, Wenzel emphasizes the importance of directness, spontaneity, and discovery which are inherent in real creative freedom. Jeff Wenzel studied and worked as teaching assistant with renowned abstract expressionist sculptor Peter Voulkos. Jeff also studied drawing and painting with Elmer Bischoff and Joan Brown, both expressionist painters identified with the Bay Area figurative movement. Jeff's work is exhibited and collected nationally. Teaching Philosophy Working with students in both painting/drawing and ceramic media, I emphasize the importance of immediacy, spontaneity, directness and discovery, which are inherent in real creative freedom. Artist Statement I work intuitively, instinctively. My work is visceral. It's not conceptual; it's physical and experiential. I work best when I'm open and loose and a little reckless, setting aside the restrictive tendency of my rational mind. By being direct and avoiding self-censorship and doubt, more interesting things happen and I am less prone to contrivance. Destruction, impulsivity and accidents are a big part of my process. I take liberty to paint over, to cut and rip, to obliterate. A central conviction of mine is that any really good piece transcends itself; the materials and techniques employed become insignificant. That something comprised of ordinary mundane materials—cardboard, crayons, string—can embody the intrinsic expressive power to spellbind and delight is compelling to me. Picasso said, “It's what one finds, not how he gets there, that is the thing." That I can occasionally and to some degree happen upon this experience in my own work is what sustains me as an artist. View Jeff's Website