SUPER MUD! Hand - Building with Clay

SUPER MUD! Hand - Building with Clay

Adult Course | Registration opens 2/5/2025 7:00 AM MST

200 Grant Street Denver, CO 80203 United States
B5
All Levels
3/3/2025-4/7/2025
6:00 PM-9:00 PM MST on Mon
$333.00
$283.05
$61.50

SUPER MUD! Hand - Building with Clay

Adult Course | Registration opens 2/5/2025 7:00 AM MST

This course focuses on the expressive possibilities of working in clay.

Through demonstrations and individual instruction this course will guide students to work artistically as they develop skills in hand building and glazing. Open to all levels, this course requires no previous ceramic background.

  • Students will learn Basic hand building techniques. Students will also learn how to decorate slabs of clay with textures and slips prior to Construction. Students will also learn various glazing techniques and surface treatment. The course is suited for beginners as well as experienced students
  • Each class includes a standard weekly lab fee which covers the cost of firing and glazing. In addition to the standard lab fee, students will need to purchase clay through the registration office at ASLD and must be done in person: $20 for 25lbs of stoneware, $25 for 25lbs of porcelain, $10 for 12lbs of our Studio made clayPlease only purchase clay from ASLD, unless approved by the studio manager.  No low-fire clays may be used at ASLD.


    If you are new to the studio, please come to the first class of the session between 15-30 minutes early in order to allow time for purchasing clay or tools. Please go to the Registration Office, located on the first floor of the main building.

    Currently enrolled students have access to Ceramic open studio for a $10 fee. Please see the whiteboard in the hallway for updated open studio hours.

    Please review the ceramics studio policies before attending the first class: CERAMICS STUDIO POLICIES

    Community tools are available for student use, in exception of a small sponge. If you prefer personal tools, a basic ceramics tool kit, small sponges and large clean up sponges may be available for purchase at ASLD on a first come, first served basis. We welcome you to bring any new, used, found and repurposed tools you may have.

  • Please bring to class:

  • -Your favorite tools 

  • Optional

  • -Apron

  • -Towel 
    -Clean up sponge

  • If you purchase your own tools, we suggest you assemble a basic tool kit that includes:

  • - Potter's rib (wood and or rubber)

  • - Metal rib

  • - Wood modeling tool

  • - Needle tool

  • -Trimming tool(s)

  • - Small sponge

  • Local Ceramic supply stores:

  • Rocky Mountain Clay 1220 W 1st Ave, Denver, CO 80223

  • Continental Clay 5303 East 47th Ave., Denver, CO 80216

  • Stoneleaf Pottery 6611 W 58th Pl, Arvada, CO 80003
  • Meiningers 499 Broadway, Denver, CO 80203
Jeff Wenzel

MA, MFA, University of California, Berkeley Working with students in both painting/drawing and ceramic media, Wenzel emphasizes the importance of directness, spontaneity, and discovery which are inherent in real creative freedom. Jeff Wenzel studied and worked as teaching assistant with renowned abstract expressionist sculptor Peter Voulkos. Jeff also studied drawing and painting with Elmer Bischoff and Joan Brown, both expressionist painters identified with the Bay Area figurative movement. Jeff's work is exhibited and collected nationally. Teaching Philosophy Working with students in both painting/drawing and ceramic media, I emphasize the importance of immediacy, spontaneity, directness and discovery, which are inherent in real creative freedom. Artist Statement I work intuitively, instinctively. My work is visceral. It's not conceptual; it's physical and experiential. I work best when I'm open and loose and a little reckless, setting aside the restrictive tendency of my rational mind. By being direct and avoiding self-censorship and doubt, more interesting things happen and I am less prone to contrivance. Destruction, impulsivity and accidents are a big part of my process. I take liberty to paint over, to cut and rip, to obliterate. A central conviction of mine is that any really good piece transcends itself; the materials and techniques employed become insignificant. That something comprised of ordinary mundane materials—cardboard, crayons, string—can embody the intrinsic expressive power to spellbind and delight is compelling to me. Picasso said, “It's what one finds, not how he gets there, that is the thing." That I can occasionally and to some degree happen upon this experience in my own work is what sustains me as an artist. View Jeff's Website