Hand-building with Clay
Adult Course | Registration opens 8/6/2025 10:00 AM MDT
During this class, we will spend the first few weeks learning the basics of coil and slab building. We will look at a few contemporary ceramic artists for inspiration and create sculptural work that is influenced by their style. Along with the sculptural work, we will create functional pieces. During week four, students will explore their own ideas and learn about glazing options. During the last two weeks, everyone will finish their projects and begin the glazing process.
Clay:
Each class includes a materials fee which covers the cost of firing and glazing. In addition to this fee, students will need to purchase clay through the Registration Office at ASLD, which must be done in person. Clay costs are $20 for 25lbs of stoneware, $25 for 25lbs of porcelain. Please only purchase clay from ASLD, unless approved by the studio manager. No low-fire clays may be used at ASLD.
Tools:
Community tools are available for student use, in exception of a small sponge. If you prefer personal tools, a basic ceramics tool kit, small sponges and large clean up sponges are available for purchase at the Registration Office.
Other supplies:
Students are encouraged to wear clothes that can get dirty to ceramics class, including close-toed shoes. We also recommend bringing an apron and a towel.
Please review the ceramics studio policies before attending the first class: CERAMICS STUDIO POLICIES
- Local Ceramic supply stores:
- Rocky Mountain Clay 1220 W 1st Ave, Denver, CO 80223
Continental Clay 5303 East 47th Ave., Denver, CO 80216
Stoneleaf Pottery 6611 W 58th Pl, Arvada, CO 80003
Meiningers 499 Broadway, Denver, CO 80203
Vicky Smith
Vicky Smith is passionate about ceramics and the intersection of art, education, and the relaxing, potentially healing power of working with clay. She has taught ceramics to students of all ages in numerous educational settings that include nonprofit art centers, public and private schools, colleges and artist cooperatives. Her teaching philosophy centers on the idea that working with clay can be a positive experience that helps balance out the pressures of everyday life and can become a vehicle for accessing and using ones’ creative voice.
In her own work, Smith’s focus is on hand-built organic, sculptural forms that exhibit a quiet, introspective narrative. The surfaces are layered with combinations of slip, terra sigillata, glaze, oil, and sealant. In addition to her ceramic sculptures, she produces handmade tiles and has several tile installations on permanent display. Her work has been displayed in local and national shows. She holds an M.F.A. from Rhode Island School of Design and a B.F.A. from the University of Colorado.