Assemblage Sculpture
Adult Course | Registration opens 2/3/2026 10:00 AM MST
By the end of 5 weeks, student should be able to complete at least one small sculpture and learn about a variety of hand, power tools, and hardware.
The first meeting will be an introduction to the medium, including visual examples, works from the instructors collection and a trip to assemblage artist, Jerry Simpson’s yard, if weather permits and he is available. We also will talk about materials, hardware, tools and approaches to getting started.
The following 4 meetings will be devoted to students working on their own individual projects. The instructor brings in a variety of hand and power tools, an assortment of hardware for the students use. The instructor will demonstrate how to safely and effectively use tools and hardware, so that the various parts are joined together
Students will bring in their own materials and are encouraged to bring in their tools.
- Students will bring in their own materials and are encouraged to bring in their tools. We will discuss further in the first class
Mark Friday
A printmaker and graphic artist, Friday's whimsical prints can be seen in the corporate collections of Kaiser Permanente and Qwest. His work was included in several group exhibitions, as well as in a solo exhibition at the O'Sullivan Gallery at Regis University. Teaching Philosophy: My teaching philosophy is to provide students with the necessary tools and information that will allow them to successfully create art. I work with them from the general to the specific, starting with an explanation of the particular art form, historical background if necessary, and plenty of examples of actual work. This is followed by appropriate demonstrations of processes and techniques. Most importantly, I enjoy working with students individually on their particular projects, helping them solve problems and giving suggestions, all in a relaxed and fun atmosphere. Artist Statement: I enjoy bouncing around from medium to medium and style to style because my work is a lot about experimentation and invention. I go back and forth between working with the object and working with the image. I also like to blur the boundaries between media, create interactive works of art, and work with other artists in collaborations. When all said and done, I like my work to be thought of as clever, whimsical, fun, and sometimes eye dazzling. Some influences are: architecture, both refined and shabby; science fact and fiction; antiquity; pop art and folk art; and the works of others. The unpredictable and unique nature of found or discarded materials offers an exciting challenge for art making.