Contemporary Classical Oil Painting

Contemporary Classical Oil Painting

Adult Class | Registration opens 5/5/2026 10:00 AM MST

200 Grant St Denver, CO 80203 United States
A-02
All
6/4/2026-7/9/2026
9:30 AM-12:30 PM MST on Th
$351.00
$298.35

Contemporary Classical Oil Painting

Adult Class | Registration opens 5/5/2026 10:00 AM MST

This class is an exploration of classical uses of oil paint with contemporary approaches and subject matter. We will focus on some quick sketch approaches, and spend most of the class painting the human form and face.

Basic knowledge of oil painting is helpful but not required.

  • Oil paints - black, white, umber, sienna, red, blue, green
    Paint brushes
    Painting surfaces- we will go through several smaller canvases or panels (4-6)
    Linseed oil
    Gamsol (no turpentine)
    Palette
    Rags
    Sketch book
    Charcoal
Michael Dowling

Born in Denver in 1972, Michael Dowling spent much of his early life as a typical kid apart from being an obsessive drawer. It wasn’t until the age of 25, and after several years studying various subjects as well as working in many fields, that Michael started painting. With that late beginning, Dowling dove full in and began studying extensively. At 28, he decided to sell a burgeoning art sales company and moved to Florence, Italy to focus on painting. He has since returned to his native Denver where he lives and works. Michael is represented in Colorado by Leongallery Colorado you G44 Chicago by Studio 6F Miami by G Rossi Fine Art Little Rock by M2 Gallery His work has been featured in the films “the Frame” and “Ink”, and will be the focus artist on the upcoming showtime release “Devils”. Michael has worked with and shown at the Museum of Contemporary art Denver and Denver Art Museum, and has work in several private and public collections both nationally and throughout Europe. Michael Dowling's work has been characterized as a combination of traditional practices in realism and his explorations of mark, pattern, and color to disrupt that reality. In many compositions, figures presented as portrait, morph into their surreal self, and lone objects tell stories through their subtle positioning. These objects and characters sit in bizarre spaces with intentionally disrupted atmospheres in order to find further meaning within the imagery. “I intend to use the traditions of painting and drawing in a very cotemporary voice; I make my work with a great respect for those traditions along with a fun contempt for our current situations. In my work I always explore our history as a people and how we are today because of it. I am always interested in the stories that repeat throughout cultures, especially those of a religious nature. I like to play with the elements of those stories, the symbols they use often are incorporated and intentionally m