Abstract Expressionism for Beginners

Abstract Expressionism for Beginners

Adult Class | Registration opens 8/4/2026 9:00 AM MDT

200 Grant St Denver, CO 80203 United States
108
All
9/2/2026-10/7/2026
6:00 PM-9:00 PM MDT on Wed
$333.00
$283.05

Abstract Expressionism for Beginners

Adult Class | Registration opens 8/4/2026 9:00 AM MDT

This class explores various processes and approaches involved in abstract expressionist painting. During this class students will be introduced to ways of working that both facilitates ones intuitive improvisation and basic instruction of what makes an abstract painting successful. Through demonstrations, exercises, individual and group critiques, students will be introduced to new ways of working which promote Discovery and artistic growth. 

  • Various water based paints such as Acrylic, tempera, or house paint; various Mark making and drawing materials such as: pencils, graphite sticks; oil pastel, sharpie markers, etc.; brushes of various sizes; plastic containers for water and paints, cloth ranks, scissors or utility knife, regular Elmer's glue (not school glue ).

Jeff Wenzel

MA, MFA, University of California, Berkeley Working with students in both painting/drawing and ceramic media, Wenzel emphasizes the importance of directness, spontaneity, and discovery which are inherent in real creative freedom. Jeff Wenzel studied and worked as teaching assistant with renowned abstract expressionist sculptor Peter Voulkos. Jeff also studied drawing and painting with Elmer Bischoff and Joan Brown, both expressionist painters identified with the Bay Area figurative movement. Jeff's work is exhibited and collected nationally. Teaching Philosophy Working with students in both painting/drawing and ceramic media, I emphasize the importance of immediacy, spontaneity, directness and discovery, which are inherent in real creative freedom. Artist Statement I work intuitively, instinctively. My work is visceral. It's not conceptual; it's physical and experiential. I work best when I'm open and loose and a little reckless, setting aside the restrictive tendency of my rational mind. By being direct and avoiding self-censorship and doubt, more interesting things happen and I am less prone to contrivance. Destruction, impulsivity and accidents are a big part of my process. I take liberty to paint over, to cut and rip, to obliterate. A central conviction of mine is that any really good piece transcends itself; the materials and techniques employed become insignificant. That something comprised of ordinary mundane materials—cardboard, crayons, string—can embody the intrinsic expressive power to spellbind and delight is compelling to me. Picasso said, “It's what one finds, not how he gets there, that is the thing." That I can occasionally and to some degree happen upon this experience in my own work is what sustains me as an artist. View Jeff's Website