Spontaneous Creative Play

Spontaneous Creative Play

Sampler | Registration opens 8/4/2026 9:00 AM MDT

200 Grant St Denver, CO 80203 United States
202 Atelier
All
11/7/2026 (one day)
1:00 PM-5:00 PM MDT on Sat
$74.00
$62.90

Spontaneous Creative Play

Sampler | Registration opens 8/4/2026 9:00 AM MDT

This workshop is for anyone wishing to enhance their creative joy. It’s not just for painters, though it will use painting as the medium of expression and exploration. There are two things that cripple our ability to access our creative nature: fear and judgement. Through several different exercises over the course of the afternoon, students experience free, spontaneous creative play and find lasting ways of overcoming these two impediments once and for all. No painting experience required. 

 

  • Supplies:
    4 to 8 oz jars of tempera paints in red, yellow, blue and any other color(s) you’d like
    paper towels
    a jar for water
    a paint brush: one inch in width
    a pad of paper: 18x24 inches
Ceraso, Chuck
Chuck Ceraso

Chuck Ceraso's lineage traces back to the French and American Impressionists through his teacher, Henry Hensche. Hensche was the student and protégé of Charles Hawthorne. Hawthorne, after painting with William Merritt Chase and Claude Monet, started the first art school, in 1900, devoted to the color discoveries of the Impressionists. When Hawthorne died in 1930, he left the school and teaching to Hensche who continued and further developed the teaching until his death in 1992. One of several people around the country who continues to teach this approach to color seeing, Ceraso teaches to sold out classes at the Denver Art Museum and at his studio in Lafayette, Colorado. He has authored the book, The Art of Color Seeing, which is his description of the process Hensche introduced him to as well as his own insights into painting. "After 40 years of painting, I'm more awed and inspired than ever at the challenge of painting. I've learned that to really see I have to let go of all of my ideas about what I'm looking at. A full presence of awareness is required for this seeing without thought, without ideas. This presence then seems to facilitate a more spontaneous process of painting, one unencumbered by a plan for a specific outcome. The painting has a life of its own and goes where the process itself takes it. In this, painting has become more an experience of revelation than as something I make happen" www.cerasogallery.com