What I Learned as a Docent at the Chrysler Museum of Art
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Why did portrait painters focus on hands as well as faces? Why did the Mayans purposely make some figures weird? How does the viewer make a difference - is the tide really up in Bierstadt's landscape? Maureen Harms shares what she has learned as a master docent at the Chrysler Museum of Art.
Maureen Harms
Maureen Harms is a master docent at the Chrysler Museum of Art. Her interest in art began when she and her husband lived in Europe where they explored one museum after another. She continued to deepen her knowledge of art and art history through university coursework and by joining the docent program at the Chrysler Museum.